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International Letters of Social and Humanistic Sciences
Volume 56

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Florescence of Revolution in Shafaq’s Poetry

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Abstract:

Blossoms of Persian poetry, although inspired by the pure nature, gradually took the attractive qualities of mysticism. In traditions, the Holy Quran is called the burgeoning of hearts and the greatest prophet (peace be upon him) is referred to as the burgeoning of souls. Spring in Persian literature is sometimes the symbol of improvement and deliverance and at other times is considered as the symbol of the afterlife. Actually, this is the highest symbol of spring in Persian literature.Desert land of Yazd bears fragrant flowers, in spite of its natural wrath, tickles the taste of souls of the pious people. One of these scented flowers is the deceased Behjati whose pen name is “Shafaq” and spring in his poetry possessed the qualities of revolution. Current study is going to address this concept in his poetry. The article was conducted with an analytical-descriptive method using bibliographic resources.

Info:

Periodical:
International Letters of Social and Humanistic Sciences (Volume 56)
Pages:
116-119
Citation:
S. M. B. Kamaladdini, "Florescence of Revolution in Shafaq’s Poetry", International Letters of Social and Humanistic Sciences, Vol. 56, pp. 116-119, 2015
Online since:
July 2015
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References:

Behjati, Mohammad Hosein, 1994, light rain; Islamic Guidance department of Ardakan, Tehran, Basir.

Hafiz, Khajeh Shams-al-din Mohammad, 2007, the complete poetical work, assisted by Khalil Khatib Rahbar, Sarvari publications, Tehran.

Farrokhi Yazdi, Mohammad, 2003, the sewn-lips poet, assisted by Gholamreza Mohammadi, Yazd.

Manouchehri Damghani, 1984, the complete poetical work, by Mohammad Dabir Siaghi, Zovvar bookstore, Tehran.

Molana, Jalaladdin Mohammad, 1986, Mathnavi, corrected by Nickleson, Molana publications, Tehran.

Nafisi, Saeid, 1962, living environment and Roudaki's conditions and poetry, Ibn-Sina Library publications, Tehran.

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