Historiography in “Beginnings: Malcolm” by Amiri Baraka
Abstract:
Info:
This work is licensed under a
Creative Commons Attribution 4.0 International License
[1] Baraka Amiri, LeRoi Jones, Somebody Blew Up America & Other Poems. House of Nehesi Publishers, (2003).
[2] Berry R. Stephen, Christianity,. Encyclopedia of the Middle Passage. Eds. Toyin Falola and Amanda Warnock. Connecticut and London: Greenwood Press, (2007).
[3] Davids, Edward. Concise Dictionary of American literary Biography: The New Consciousness, 1941-1968. Detroit and London: A Bruccoli Clark Layman Book, (1987).
[4] Doueihi, Anne. Inhabiting the Space Between Discourse and Story in Trickster Narratives,. Mythical Trickster Figures: Contours, Contexts, and Criticisms. Ed. William J. Hynes and William G. Doty. Tuscaloosa and London: The University of Alabama Press, 1997. 193-201.
[5] Gates, Henry Louis, Jr. The Signifying Monkey. New York and Oxford: Oxford University Press, (1988).
[6] Goldman, Peter. The Death and Life of Malcolm X. The U. S: Illini Books edition, (1979).
[7] Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York and London: Routledge, 2004. Print.
[8] Jameson, Fredric. The Cultural Turn: Selected Writings on the Postmodern 1983-1998. London and New York: Verso, (1998).
[9] Malpas, Simon. The Postmodern. New York and London: Routledge, (2005).
[10] Salaam, Kalamu Ya. Baraka analyzes How He Writes,. 2003. The free libarary. Web. 18 Feb. (2013).
DOI: https://doi.org/10.2307/1512308