This work is licensed under a
Creative Commons Attribution 4.0 International License
Allison, J. (1996). Passion and Cunning. " Yeat, s Political Identities: Selected Essays. Ann Arbor, MI: Univ. of Michigan, N. pag. Print.
Allt, P., Russell K. ed. (1968). The Variorum Edition of the Poems of W. B. Yeats. New York: Macmillan Company.
Cullingford, E. (1994). Pornography and canonicity: The case of Yeats's Leda and the Swan,. Heinzelman S. S., Wiseman Z. B. (eds). Representing Women: Law, Literature, and Feminism. Durham, NC: Duke University Press, 165-188.
Cullingford E. (1996). Gender and History in Yeats's s Love Poetry. Syracuse, NY: Syrac use UP.
Neigh, J. (2006), Reading from the drop: Poetics of identification and Yeats's Leda and the Swan,. Journal of Modern Literature, 29(4): 145-160.
Paglia, C. (2006). Break, Blow, Burn. Random House.
Ross, D. (2009). William Butler Yeats. A Literary Reference to His Life and Work. Facts on File. Inc.
Russell, K. (1966). The Variorum Edition of the Plays of W. B. Yeats. New York: Macmillan Company.
Spitzer, L. (1954). On Yeats's s Poem "Leda and the Swan",. Modern Philology 51(4): 271. Print.
Trowbridge, H. (1953). "Leda and the Swan": A Longinian Analysis,. Modern Philology 51: 118. Print.
Yeats, W. B. (1981). A Vision. London: Macmillan.
Yeats, W. B. (2000). Leda and the Swan., The Norton Anthology of English Literature. ( Received 10 April 2014; accepted 03 May 2014 ).
 S. Tao, A. Peng, X. Chen, "“Being So Caught up”: Exploring Religious Projection and Ethical Appeal in Leda and the Swan", Religions, Vol. 12, p. 107, 2021DOI: https://doi.org/10.3390/rel12020107